可怜我们短身队长虽然挣扎不断,但是被誉为纸片人的她,哪里来的力气反抗虽然同是短身,但明显比她强壮的多的李顺圭呢。Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...🇮🇴不用管他🪣我们这些人也是按照排名给奖励的🇲🇶灵力点数越高🐂奖励就会越多♊🗑️入灵高阶虽然都是天才妖孽🦖但是也要分个高下⚖️事实上📗自踏入修仙之道🤭寻访仙缘📰抵达朝歌仙城以来🏏他的精力都放在修为上🗂️待在朝歌做生意买卖🧫极少去修炼战力♊在寻常人眼中当然两百多平方就住两三个人肯定是绰绰有余了🤺结合萧冷霆和夏初两人的身份地位就会觉得太低调了🪦
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